ЗБИРКЕ, КОНФЕРЕНЦИЈА ЗА НОВИНАРЕ И ПИНТЕР
Кључне речи:
Harold Pinter, Genre, Play, PoliticsСажетак
Преиспитивањем традиционалних жанровских дистинкција између драме, прозе и поезије, збирка краћих дела Харолда Пинтера Смрт, итд, укратко представља дело и рад „политички“ оријентисаног аутора у време када му је додељена Нобелова награда. У раду се разматра Конференција за новинаре, један од Пинтерових нацрта за позоришну представу, а у контексту поменуте доделе. Указивањем на чињеницу да једно драмско дело попут Конференције за новинаре може постати и „књижевно“ дело, или пак нешто што не подразумева искључиво позоришну продукцију, настојим да одредим у којој мери Конференција за новинаре представља Пинтера као политички оријентисаног аутора.
Референце
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Hall, Peter. “Directing the Plays of Harold Pinter.” The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 145-54.
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---. Various Voices: Prose, Poetry, Politics 1948-1998. London: Faber, 1998.
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Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. New York: Garland, 2000.
Varma, Indira. “Indira Varma.” Interview with Mary Luckhurst and Chloe Veltman. On Acting: Interviews with Actors. Ed. Mary Luckhurst and Chloe Veltman. London: Faber, 2001. 145-53.
Wolfson, Susan J., and Peter J. Manning. Note. “Manfred: A Dramatic Poem.” By Lord Byron. Selected Poems. By Byron. Ed. Susan J. Wolfson and Peter J. Manning. London: Penguin, 2005. 803-05.
Friel, Brian. Translations. Plays One. London: Faber, 1996. 377-447.
Hall, Peter. “Directing the Plays of Harold Pinter.” The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 145-54.
Murray, Christopher. Twentieth-Century Irish Drama: Mirror Up to Nation. Syracuse: Syracuse UP, 2000.
Noland, Carrie. “Phonic Matters: French Sound Poetry, Julia Kristeva, and Bernard Heidsieck.” PMLA 120.1 (2005): 108-27.
Paget, Derek. “Theatre Workshop, Moussinac, and the European Connection.” New Theatre Quarterly 11 (1995): 211-24.
Parker, Andrew, and Eve Kosofsky Sedgwick. “Introduction: Performativity and Performance.” Performativity and Performance. Ed. Andrew Parker and Eve Kosofsky Sedgwick. New York: Routledge, 1995. 1-18.
“People.” International Herald Tribune 2 Mar. 2005: 9.
P[eter], J[ohn]. Rev. of Pinter Sketches 1, by Harold Pinter. Sunday Times 17 Feb. 2002, “Culture”: 16.
Pinter, Harold. Art, Truth and Politics: The Nobel Lecture. London: Faber, 2005.
---. Ashes to Ashes. Death etc. 87-117.
---. The Birthday Party. Plays One. London: Faber, 1996. 1-81.
---. The Caretaker. Plays Two. London, Faber, 1996. 1-76.
---. Celebration. Plays Four 435-508.
---. Collected Poems and Prose. London: Methuen, 1986.
---. “Death.” Death etc. 125.
---. Death etc. New York: Grove, 2005.
---. Mountain Language. Death etc. 5-20.
---. The New World Order. Death etc. 23-31.
---. One for the Road. Death etc. 33-55.
---. Party Time. Plays Four 279-314.
---. Plays Four. 2nd expanded Ed. London: Faber, 2005.
---. Press Conference. London: Faber, 2002.
---. Press Conference. Death etc. 59-65.
---. “Tess.” Various Voices: Prose, Poetry, Politics 1948-2005. 108-110.
---. Various Voices: Prose, Poetry, Politics 1948-1998. London: Faber, 1998.
---. Various Voices: Prose, Poetry, Politics 1948-2005. London: Faber, 2005.
---. Victoria Station. Plays Four. 191-211.
Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. New York: Garland, 2000.
Varma, Indira. “Indira Varma.” Interview with Mary Luckhurst and Chloe Veltman. On Acting: Interviews with Actors. Ed. Mary Luckhurst and Chloe Veltman. London: Faber, 2001. 145-53.
Wolfson, Susan J., and Peter J. Manning. Note. “Manfred: A Dramatic Poem.” By Lord Byron. Selected Poems. By Byron. Ed. Susan J. Wolfson and Peter J. Manning. London: Penguin, 2005. 803-05.
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28.06.2009
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Yagi, N. (2009). ЗБИРКЕ, КОНФЕРЕНЦИЈА ЗА НОВИНАРЕ И ПИНТЕР. Наслеђе, 6(12), 121–131. преузето од http://nasledje.kg.ac.rs/index.php/nasledje/article/view/182
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