COLLECTIONS, PRESS CONFERENCE, AND PINTER
Keywords:
Harold Pinter, Genre, Play, PoliticsAbstract
Challenging the traditional genre distinctions of play, prose, and poetry, Death etc., a collection of shorter pieces by Harold Pinter, epitomises the work of a “political” author at the time of his being awarded the Nobel Prize in Literature. My essay discusses Press Conference, one of Pinter’s sketches for the stage, in the context of that particular collection. While showing the ways in which a dramatic piece like Press Conference turns into a piece of “writing,” or something which does not necessarily presuppose a stage production, i attempt to find out to what extent Press Conference is an expression of Pinter as a political writer.
References
Butler, Lance St. john. Registering the Difference: Reading Literature through Register. Manchester: Manchester UP, 1999.
Friel, Brian. Translations. Plays One. London: Faber, 1996. 377-447.
Hall, Peter. “Directing the Plays of Harold Pinter.” The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 145-54.
Murray, Christopher. Twentieth-Century Irish Drama: Mirror Up to Nation. Syracuse: Syracuse UP, 2000.
Noland, Carrie. “Phonic Matters: French Sound Poetry, Julia Kristeva, and Bernard Heidsieck.” PMLA 120.1 (2005): 108-27.
Paget, Derek. “Theatre Workshop, Moussinac, and the European Connection.” New Theatre Quarterly 11 (1995): 211-24.
Parker, Andrew, and Eve Kosofsky Sedgwick. “Introduction: Performativity and Performance.” Performativity and Performance. Ed. Andrew Parker and Eve Kosofsky Sedgwick. New York: Routledge, 1995. 1-18.
“People.” International Herald Tribune 2 Mar. 2005: 9.
P[eter], J[ohn]. Rev. of Pinter Sketches 1, by Harold Pinter. Sunday Times 17 Feb. 2002, “Culture”: 16.
Pinter, Harold. Art, Truth and Politics: The Nobel Lecture. London: Faber, 2005.
---. Ashes to Ashes. Death etc. 87-117.
---. The Birthday Party. Plays One. London: Faber, 1996. 1-81.
---. The Caretaker. Plays Two. London, Faber, 1996. 1-76.
---. Celebration. Plays Four 435-508.
---. Collected Poems and Prose. London: Methuen, 1986.
---. “Death.” Death etc. 125.
---. Death etc. New York: Grove, 2005.
---. Mountain Language. Death etc. 5-20.
---. The New World Order. Death etc. 23-31.
---. One for the Road. Death etc. 33-55.
---. Party Time. Plays Four 279-314.
---. Plays Four. 2nd expanded Ed. London: Faber, 2005.
---. Press Conference. London: Faber, 2002.
---. Press Conference. Death etc. 59-65.
---. “Tess.” Various Voices: Prose, Poetry, Politics 1948-2005. 108-110.
---. Various Voices: Prose, Poetry, Politics 1948-1998. London: Faber, 1998.
---. Various Voices: Prose, Poetry, Politics 1948-2005. London: Faber, 2005.
---. Victoria Station. Plays Four. 191-211.
Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. New York: Garland, 2000.
Varma, Indira. “Indira Varma.” Interview with Mary Luckhurst and Chloe Veltman. On Acting: Interviews with Actors. Ed. Mary Luckhurst and Chloe Veltman. London: Faber, 2001. 145-53.
Wolfson, Susan J., and Peter J. Manning. Note. “Manfred: A Dramatic Poem.” By Lord Byron. Selected Poems. By Byron. Ed. Susan J. Wolfson and Peter J. Manning. London: Penguin, 2005. 803-05.
Friel, Brian. Translations. Plays One. London: Faber, 1996. 377-447.
Hall, Peter. “Directing the Plays of Harold Pinter.” The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 145-54.
Murray, Christopher. Twentieth-Century Irish Drama: Mirror Up to Nation. Syracuse: Syracuse UP, 2000.
Noland, Carrie. “Phonic Matters: French Sound Poetry, Julia Kristeva, and Bernard Heidsieck.” PMLA 120.1 (2005): 108-27.
Paget, Derek. “Theatre Workshop, Moussinac, and the European Connection.” New Theatre Quarterly 11 (1995): 211-24.
Parker, Andrew, and Eve Kosofsky Sedgwick. “Introduction: Performativity and Performance.” Performativity and Performance. Ed. Andrew Parker and Eve Kosofsky Sedgwick. New York: Routledge, 1995. 1-18.
“People.” International Herald Tribune 2 Mar. 2005: 9.
P[eter], J[ohn]. Rev. of Pinter Sketches 1, by Harold Pinter. Sunday Times 17 Feb. 2002, “Culture”: 16.
Pinter, Harold. Art, Truth and Politics: The Nobel Lecture. London: Faber, 2005.
---. Ashes to Ashes. Death etc. 87-117.
---. The Birthday Party. Plays One. London: Faber, 1996. 1-81.
---. The Caretaker. Plays Two. London, Faber, 1996. 1-76.
---. Celebration. Plays Four 435-508.
---. Collected Poems and Prose. London: Methuen, 1986.
---. “Death.” Death etc. 125.
---. Death etc. New York: Grove, 2005.
---. Mountain Language. Death etc. 5-20.
---. The New World Order. Death etc. 23-31.
---. One for the Road. Death etc. 33-55.
---. Party Time. Plays Four 279-314.
---. Plays Four. 2nd expanded Ed. London: Faber, 2005.
---. Press Conference. London: Faber, 2002.
---. Press Conference. Death etc. 59-65.
---. “Tess.” Various Voices: Prose, Poetry, Politics 1948-2005. 108-110.
---. Various Voices: Prose, Poetry, Politics 1948-1998. London: Faber, 1998.
---. Various Voices: Prose, Poetry, Politics 1948-2005. London: Faber, 2005.
---. Victoria Station. Plays Four. 191-211.
Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. New York: Garland, 2000.
Varma, Indira. “Indira Varma.” Interview with Mary Luckhurst and Chloe Veltman. On Acting: Interviews with Actors. Ed. Mary Luckhurst and Chloe Veltman. London: Faber, 2001. 145-53.
Wolfson, Susan J., and Peter J. Manning. Note. “Manfred: A Dramatic Poem.” By Lord Byron. Selected Poems. By Byron. Ed. Susan J. Wolfson and Peter J. Manning. London: Penguin, 2005. 803-05.
Downloads
Published
06-28-2009
How to Cite
Yagi, N. (2009). COLLECTIONS, PRESS CONFERENCE, AND PINTER. Nasleđe, 6(12), 121–131. Retrieved from http://nasledje.kg.ac.rs/index.php/nasledje/article/view/182
Issue
Section
Articles
