THE POETRY OF PINTER’S THEATRE
Keywords:
поетска авангарда, песништво позорнице, драмски језик, лирски печат, поетска метафора, нејезичка средства, подтекст, ритам, имажизам, надреализамAbstract
The essay concentrates upon the poetic quality of Pinter’s plays. Lyric inspiration in fact never left Pinter, not even in his older years when it was successfully transformed and infused into the monlogues and dialogues of his dramatis personae. Pinter’s poetic arsenal includes the impressive metaphors and images created by means of both traditional and modern stylistic devices, the latter often belonging to the sphere of unspeakable. The poetry of Pinter’s theatre fuses the heritage of imagism and surrealism and the poetic achievements of Beckettian theatre of absurd. Although its intensity and quality varies in the body of Pinter’s plays, it considerably contributes to their artistic strength.
References
1. Harold Pinter, Nove drame, Lapis, Beograd, 1995.
2. Harold Pinter, Pet drama, Nolit, Beograd, 1982.
3. Harold Pinter, Silence in Plays Three, Faber and Faber, London, 1996.
4. Harold Pinter, The Dwarfs in Plays Two, Faber and Faber, London, 1996.
5. Martin Esslin, Pinter The Playwright, Methuen, London, 1992.
6. Martin Esslin, The Theatre of the Absurd, Penguin Books Ltd, Harmondsworth middlesex, England, 1982.
7. Samjuel Beket, Čekajući Godoa, Kultura, Beograd 1994.
8. Tomas S. Eliot, Izabrani tekstovi, Prosveta, Beograd, 1963.
2. Harold Pinter, Pet drama, Nolit, Beograd, 1982.
3. Harold Pinter, Silence in Plays Three, Faber and Faber, London, 1996.
4. Harold Pinter, The Dwarfs in Plays Two, Faber and Faber, London, 1996.
5. Martin Esslin, Pinter The Playwright, Methuen, London, 1992.
6. Martin Esslin, The Theatre of the Absurd, Penguin Books Ltd, Harmondsworth middlesex, England, 1982.
7. Samjuel Beket, Čekajući Godoa, Kultura, Beograd 1994.
8. Tomas S. Eliot, Izabrani tekstovi, Prosveta, Beograd, 1963.
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Published
06-28-2009
How to Cite
Павловић, Т. М. (2009). THE POETRY OF PINTER’S THEATRE. Nasleđe, 6(12), 85–105. Retrieved from http://nasledje.kg.ac.rs/index.php/nasledje/article/view/180
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