THE FALL OF THE MASKS, THE REVEALING OF THE FACES AND FIGURES OF ESTRANGEMENT WITH FEMALE CHARACTERS IN MIHIZ’S DRAMAS

Abstract

The paper raises the question of masks, face and unusually constants in order to identify and examine those figures in women and Jelena Djuric in plays Borislav Mihajlovic Mihiz. We start with the items that are related to the image of women in the drama Banovic Strahina and affecting his characterization, then proceed to the examination of a woman wearing mask which changes depending on with whom achieved with a particular relationship. It is shown that a Strahinie`s woman can not tolerate a mask exemplary wife, to shoot the mask which is why he went to live with Banovic burdened with guilt, because he made such a deal with reality. Then we proceed to figure Helena, its features, removal of masks that would eventually come to the conclusion that Jelena Djuric breaking his mask of restraint at the moment Sajler refuses to help her. In the final section we conclude that the mask form and break due to life circumstances and the person that appears after shooting the mask is identical to that which existed before putting the mask.